Masca Theater was established by Government Decision on May
24, 1990, and describes itself as a theater of gesture, pantomime
and bodily expression, being the only theater of this kind in
Romania.
A one-of-a-kind theatre in the capital of Romania, “Masca” was
the first company to introduce street performances and alternative
forms of theatre in Romania. ,,Masca” is constantly developing and
offering its audience innovative performances rooted in Lecoque’s
teachings and breakthroughs.
Since its foundation, Masca Theater evolved along two main
paths:– street theater (with performances centered around
clowns, commedia dell’arte, medieval theater, large marionettes,
living statues, etc.) involving performers with a vast array of
means of expression: clownerie, juggling, various instruments, tap
dance, pantomime, living statues, handling large marionettes (2
meter tall), dancing, singing, acrobatics, etc.
– indoor shows with an elaborate script, inspired by
great authors of world literature (N. V. Gogol, G. G. Marquez, E.
Briusov, J. L. Borjes, W. Shakespeare), which are closely related
in style to dance theater, with very little or no dialogue, the
actor being the focal point of the shows, the unique keeper of the
mystery of theater
Ever since its establishment, Masca Theater unequivocally
assumed a cultural and social vocation that was defined by
performances and events organized after having identified the needs
of culturally-isolated groups or groups within poor communities, by
projects addressed to families and projects that bring performing
arts to the people, alternative theater performed in unconventional
spaces. In addition, Masca Theater is part of the European artistic
movement, being a member of the international network for
contemporary performing arts – IETM.
The cultural context and the features of the cultural
offering
From a cultural perspective, the activities of Masca
Theater address the needs of a community with very diverse cultural
expectations, providing cultural services that are conceptually
creative and professionally comprehensive and competitive.
From an educational perspective, training its own
audience involved:
• familiarizing the audience with the non-verbal style
• familiarizing the audience with the theatrical presentation
of major topics in the field of theater (commedia dell’arte, the
musical, dance theater, the clown, pantomime blanche, living
statues, large marionettes, cabaret, black light theater,
etc.)
• involvement in shows with an important social aspect• recognizing beauty and accepting it as a reliable
alternative to the gray scenery of everyday life
• shaping the artistic taste of its future audience through
specific shows, performances within events specific to their age,
classes at Masca school of physical theater.
From a social perspective, the projects of Masca
Theater help consolidate a sense of community within a residential
community, by defining an identifiable style and, therefore, a
style that can be and is associated to the sense of belonging to a
community, by initiating projects of a profound social-cultural
nature.
The programs of Masca Theater are defined by their aesthetic,
cultural, educational and social functions, which Mask undertook as
part of its mission.
Masca is the only theater that, in addition to its activities
strictly related to the profession and the art it promotes, carries
out a huge number of social-cultural programs, defining as
accurately as possible the profile of a modern entity with flexible
organization and management, the initiator of a genuine discourse,
a recognized catalyzer of energies.
During its existence of over 26 years, an impressive number of
performances, cultural projects and events were organized and
carried out. The troupe performs in over 250 shows a year.
Some of the projects are one-off events, others have reached
their 20th edition. Some of these projects are organized by Masca
Theater, others are projects where Masca Theater was invited to
participate. Projects are carried out in Romania and elsewhere,
with Romanian or European participants.
Multi-annual projects organized and carried out by Masca
Theatre
– THE CITY BENEATH THE CITY a project initiated in Bucharest’s
subway station,
– THE LIVING STATUES FESTIVAL – international Living Statues
Festival is the only one of its kind in Central and Eastern Europe,
and its first edition was organized in 2011 (10-13 june) in one of
most known park in Bucharest Herastrau, at the initiative of Masca
Theatre
– THE FESTIVAL ,,EUROPEAN MASKS AT MASCA,, a project designed
to familiarize the Romanian public and Romanian theater
professional with a special type of theatre that is very rare in
Romania,the theater of movement,gesture, pantomime, corporeal
expression, clownery-which is however very popular in the Europe
Union, implying yhe unmediated contact between performes and their
audience.
Awards
– 1992 – Beast Leading Actor – Mihai Malaimare in DEATH HAS
DIED, Egipt
– 2002 – National Order for Faithful Service received by Mihai
Malaimare as Knight
– 2004 – Special Prize of the jury for INTRUDER,
Theatre Festival at Plovdiv, Bulgaria
– 2004 – Grand Prize for INTRUDER, Theatre Festival at
Piatra Neamt, Romania
– 2005 – Special Prize from the Romanian Composers
Association, for the soundtrack of THE MIRROR, by Paul
Urmuzescu
-2008 – Masca Theatre was awarded,during the UNITER Gala, the
UNITER special award for performance in non-verbal theatre:Mihai
Malaimare and Masca Theater, Encomium-Nicolae Manolescu
-2009- During the 2009 ,, Performig Arts Gala,, an event
organized by the Office of the Mayor of Bucharest, Mihai Malaimare
received the Award for performance in Management
-2010 at the 20th anniversary of the Romanian theatre of
gesture,pantomime, and body expression,as a sign of appreciation
fot the outstanding contribution to the reputation of Romanian
theatre, the president of romania presented the Masca theatre with
the Order of Cultural Merit in the grade ,, Knight”, for the
category ,, performing Arts,,
– 2012 – Best Show and Best Leadin Actor for Sebastian Ghita
and BLUE CANARY, International Festival of Theatre, Movie
and Photography Hyperion Stud Fest 2012
– 2013 – Special Prize for Courage, Initiative and Talen,
awarded by the British Council to Mihai Malaimare
2015 – at the 25th anniversary of the Romanian theatre of
gesture, pantomime, and body expression, as a sign of appreciation
fot the outstanding contribution to the reputation of Romanian
theatre, the president of romania presented the Masca theatre with
the Order of Cultural Merit in the grade ,, Knight”, for the
category ,, performing Arts,, (
http://www.masca.ro/teatru/en/who-we-are/ )
The one who had the initiative to establish such a theatre, at a time a whole new world was being born, was actor and director Mihai Malaimare. Recollecting those initial moments back in 1990, Malaimare will be speaking about how he got the idea of founding such a theatre:
“I think there are a few things lying at the foundation of this theatre but one of them was the feeling of loneliness I had while roaming the streets of Bucharest on December the 21st 1989. I had a clear feeling that a world was dying and a new one struggled to surface and somehow I got stuck between. That was my first thorough analysis, when I realized that theatre was the only thing I knew how to make. As in the past I had tried to propose those from the UTC, the Young Communists Union the foundation of a Youth Theatre, I told myself that was the right time for the birth of such a theatre, all the more so I had some ideas on how to make it.”
The team which worked with Malaimare at the implementation of such a project included director Anca Dana Florea and two actors from Braila, eastern Romania, Anamaria Paslaru and Sorin Dinculescu. They cooperated in structuring the esthetic programme, which was that of an alternative theatre of non-verbal discourse. A disciple of French mime Jean Lecoq, Mihai Malaimare is not only the initiator of a movement unique in Romania, that of a pantomime movement, but also the creator of a special troupe of selected actors who honed their skills to perfection. Here is critic Marina Constantinescu:
“All the professional actors of the Masca Theare have been attending special courses which are no longer taught in school, I mean pantomime courses. Of course they are privileged to work with Malaimare, who had professionally studied this art with Lecoq, an extremely gifted mime. They have attended stilt walking courses, fencing courses…Practically these actors are the ones who leave the theatre premises in an attempt to reach for the public, and the impact is tremendous.”
At the beginning of a new year Malaimare shares with us some of the important projects for the theatre he is currently leading:
“2008 will be one of the three years during which I will not be director of the Masca theatre but its manager. This year I intend to raise the number of people visiting our webpage to at least 100 per day. I also intend to win an award in an international festival and to participate in at least three international and two national festivals…I would like to launch a new project called ‘A Young Actor’s Mask’ and stage a pantomimic version of Hamlet.”
Director Malaimare believes that a theatre must get socially involved and for this reason, the Masca Theatre comes with a series of social-cultural projects mainly addressing the audience in the Militari district, in Bucharest, where the theatre has its premises. Here is project coordinator Stefan Livadaru with details about some of the projects:
“The Masca Festival, includes not only theatre shows, but also music, interactive moments devoted to people of various ages, ranging from little kids to pensioners. We’ll continue to mount our traditional project ‘Halloween at the Masca Theatre’, which is going to be a mini spook show for some of our younger spectators. Another successful project, in its 11th edition, is ‘The Toy Fair’, during which the little ones can donate the toys they are no longer playing with to needy kids. We’ll also continue another of our projects, entitled ‘Cinemasca’, with many good films on view mainly for the young people in our district. Of course they can watch these films free of charge.
One of the most complex projects of the Masca Theatre is the ‘City Below the City’, staged in Bucharest’s underground stations. Since 2003, these stations have housed nearly 500 shows, ranging from picture and photo exhibitions to dance and theatre shows."
All these shows have had a positive impact on its audience. Here is Malaimare again:
“Masca was a theatre which struggled to exist, first to have its own premises and then to survive as a theatre, an alternative solution to the already existing companies. We won our first audiences with shows held in alternative spaces, in parks, in the street, on esplanades and later in underground stations. So we have an audience of our own, people who recognize us and enjoy our shows. But when we started playing indoor, when we replaced non-verbal street shows with spoken plays we had to find another audience."
source :
http://old.rri.ro/arh-art.shtml?lang=1&sec=13&art=8520
Din 30 aprilie spațiul de la Roata Mare din Parcul Herăstrău se transformă într-o scenă de teatru
De 27 de ani Teatrul MASCA a ales să aducă teatrul aproape de locuitorii din București și nu numai atunci când majoritatea teatrelor îşi închid uşile.Începând cu 30 aprilie, ora 17.00,
Parcul Herăstrău (Roata Mare) va fi animat de
spectacole de teatru în aer liber și statui vivante.
“PARIZIANCA”, ” MATELOȚII”, ” ARCA LUI LENIN” sunt doar
câteva titluri care vor face deliciul celor ce vor alege să-și
petreacă timpul liber la ROATA MARE din Parcul Herăstrău.
Așadar, vă așteptăm cu mic, cu mare, din
30 aprilie, să dăm startul verii.
FESTIVALUL INTERNAȚIONAL DE STATUI VIVANTE,
ediția a VII-a
Ediția de anul acesta are
particularități speciale legate mai ales de intenția noastră de a
ne defini locul în peisajul festivalurilor de gen și în cel al
preocupării profesioniștilor statuii
vivante de a găsi formulele teoretice general
acceptabile, soluțiile tehnice și mai ales cele ale pedagogiei
teatrale în domeniu. Va fi o ediție specială, una total diferită de
cele anterioare. În primul rând prin întindere, căci trecem de la
formula de trei la una de 7 zile și apoi prin format și desigur
prin grupurile țintă cărora ne vom adresa.
Va fi un festival lung, care începe cu o
Noapte a statuilor vivante și
continuă cu 6 zile pe parcursul cărora producțiile Masca și cele
ale invitaților noștri se vor derula în trei spații diferite din
București. Vom evolua în două parcuri din două cartiere marginașe,
Militari și Ferentari și în Parcul Herastrau, cel mai mare și mai
important parc din Capitală. Dacă întâlnirea cu locuitorii
Parcului Crângași din sectorul VI este deja tradiție, aceea cu
locuitorii cartierului Ferentari este o premieră absolută și suntem
convinși că va fi una extraordinară, atât pentru noi cât și pentru
invitații noștri. Cât privește parcul Herăstrău, am ales o zonă mai
puțin căutată de organizatorii de manifestări culturale, Roata Mare
și iarăși avem convingerea că alegerea este una nu numai
interesantă ci și foarte plăcută pentru artisti și spectatori
deopotrivă căci este frumoasă, elegantă, plină de verdeață și va da
o strălucire aparte festivalului nostru.
Noaptea statuilor
vivante va aduce alături artiști străini și români
într-un parc al unuia dintre cele mai interesante muzee din
București, Casa Cesianu, spațiu cu o aură specială, misterios și
elegant, suficient de mare pentru a fi încăpător și destul de intim
pentru a crea o stare cu totul specială celor care vor veni să
asiste la acest moment atât de important al festivalului
nostru.
Cele șase zile de festival care vor
urma se vor adresa unor ținte absolut diferite, de la sofisticatul
spectator pe care îl poate oferi cel mai mare parc bucureștean,
Herăstrău, la spectatorul cartierelor dormitor ale sectorului VI și
desigur la acela al unui cartier care încearcă din răsputeri să-și
contrazică o istorie nu tocmai pozitivă, Ferentari, dar unde
oamenii, tocmai din această cauză sunt poate mai atenți și mai
încântați de ideea noastră de a ne fixa pentru două zile în
frumusețea parcului Humulești aflat exact sub geamurile blocurilor
lor. Când vom face o analiză a modului în care festivalul nostru a
fost acceptat și consumat, sunt convins ca vom avea reacții cu
totul spectaculoase în Ferentari.
La ediția din acest an vor
participa două grupuri de creatori de statui vivante din
Europa, cei de la Great Names din Viena și cei conduși de Yvonn
Hollander din Olanda. Alături de ei vom evolua și noi, cei de la
Masca, aducând publicului un număr de 15 statui vivante, nu atât de
multe ca în alți ani, dar cu siguranță mult mai competitive și mai
bine realizate decât până acum, în plus vom încânta publicul cu o
serie de spectacole create mai mult sau mai puțin în stilul statuii
vivante, dar revendicându-se de la conceptul de teatru stradal în
interiorul căruia statuia vivantă este, în opinia noastră, momentul
cel mai important și mai spectaculos.
Festivalul va beneficia și de
câteva zile de mediatizare activă prin intermediul unor
statui vivante în foarte multe spații ale Capitalei, fapt care va
întregi imaginea unui Festival care ambiționează să coaguleze
forțele profesioniștilor care lucrează în domeniul statuii vivante
și care, prin arta lor, prin festivalurile pe care le frecventează
și le promovează încearcă să se opună atacului violent pe care
neprofesioniști și amatori, în fapt simpli cerșetori îl produc
uneia dintre cele mai interesante forme de teatru stradal din lume,
statuia vivanta.
Ediția a VII-a a
Festivalului Internațional de Statui Vivante Masca – 2017 va fi un
eveniment cultural fără precedent și cu siguranță deschizător de
perspective!
